Wow.

I think what we should all be scared of is not the fact that the kitten was possessed, but the fact that the demon appears to have been beatboxing.
BEATBOXING DEMONS!? THE WORLD IS DOOMED!

Amazing

That was awesome. It's so rare to see some one on this sight approach flash from an artistic stand point and actually pull it off.
You captured my attention and held it, which isn't easy to do.
My only complaint is that the end seemed some what incomplete, like you didn't finish saying what you wanted to say.

Poof!

This whole thing was like a headache inducing intro for something that never actually came...
Perhaps that what it was intended to be, and I just have no idea what the hell is going on, but it still left me feeling rather disappointed.
And for the love of god, if I here that particular fucking cheesey ass, faux-techno riff one more time, somebody's gonna die!
Anyways, I digress.
Aside from the nausea inducing audio, and the fact that visuals were just too much all at once, causing me to have more vertigo than a cat in a laundromat washing machine, the actually art of the graphics was pretty cool.
Although, that rotating psychedelic radish thing was freakin' me out.

This could have been excellent movie. Instead, it was a shitty game. I was only able to finish it because I figured out how to launch missiles, completely by accident, during the last battle. Try making the controls more clear and the steering of the ship less stupid.

The voice acting and art were great, though. The cut scenes were really entertaining. They just don't change the fact that the game itself was crap.

The art is unbelievably amazing. But, Odin's Beard, is there some serious game killing lag. I couldn't play more than 10 seconds at a time without wanting to kill something with my bare hands.

o_O

Intense arrangement.
Sort of reminds me of the stuff Enigma did in the '90s, but with less cheesy pretentiousness and more talent.
For bonus points, I think this track actually relieved the migraine I was having.

Damn good.

Honestly, I think the seemingly upbeat dancey nature of the track only serves to re-emphasize the creepiness of the lyrical content.
I think the party dancefloor style of the track helps illustrate the lyrical themes of youth squandered, and the pop-culture that devours teens and spits them out the otherside like mulch out of a woodchipper.
I loved the original, and I love this one just as much.
The fact that this one kind of makes you want to shake your rump totally multiplies the creepy factor.

Good song... but....

I think putting it in the industrial category couldn't be farther from the truth.
This track would have fit in more in the House or Drum N' Bass categories.
Also, the beginning segment of just drums and piano seems to stretch on for too long.
But, in all, it's a good sound, kind of a mellow house sound with nice drum n' bass percussion on it. Love how you used the strings at the end, with some of them sounding reversed.
Keep it up.

RADSAUCE!

Amazing work.
Great lines, smooth colors.
And, The Birthday Massacre for the win.